Monday 5 August 2019

#Storytime - the album

Joanne Harris knows a thing or two about story telling, what with more than a handful of bestselling novels to her name, a number of the having won awards.. but it turns out she's a bit of a musician as well, and has her own band playing progressive music, #Storytime. They put out an album last year. I have to say, I rather like it.

The album follows a pattern of Joanne telling a story of distant, but knowable, worlds - worlds of bees, mermaids, Queens of the sea - with gentle incidental music underneath, mostly played on piano. This is then followed by a song relating to the story. There are four tales and tunes on this first outing.

There are Middle Eastern flavours in the music, which conjures, appropriately perhaps, the aural tradition of centuries passed, and the tales of Scherezade and Ali Baba. The arrangements are largely piano/keys (with the odd bit of Mellotron - it is prog, after all!), drums, bass, flute and vocal. The flute draws the mind toward Jethro Tull and early Genesis, though the piano led passages have an air of Renaissance about them - all highly enjoyable. More up to date reference points might be Judy Dyble or Jarrod Gosling's recent works, though without so much psychedelia; one might also find similarities with the output of Ian Neal.

I found the album immensely enjoyable, and have returned to it a number of times since receiving it last year. It is everything a progressive album should be, and I really liked that the production is very natural, with room left for dynamics to shine.

Stories and songs may not be the most slickly presented programme, but it's high art for an Earthly audience.

Another album is in the works, hoped to be found in early 2020. There might even be a gig at The Lantern Theatre..

Saturday 3 August 2019

Legacy?

Bob forwarded this link to a comment on a Guardian article the other day: *click here*

It's a beautifully crafted observation, no wonder the paper have it as a 'pick.'

I find the line about 'done well at a desk' something that jumps out at me, and it might for many who work in a 'modern' setting.

Everything I do is ethereal - if there's a powercut or a router breaks, there's no proof of my industry; once a note has been played, or the line delivered on stage, it's a memory. Even if a performance is recorded, it still relies on the medium surviving along with a means of rediffusion.

Being a builder, carpenter, sculpter, etc. leaves something behind. Doctors, nurses, social workers, farmers, and others, heal, care, feed people and animals; their attentions are evident in the those whom they have, err.. attended. Even engineers and designers leave drawings.

Me? My greatest programming achievement was an automated reporting system for a utilities job management system I had written in 2003/4. I managed to get it working again in a virtual machine in 2010, but doing that now would be problematic as the VM tech has moved on. The physical work on which it reported is, at the time of writing this, 14+ years old. The holes dug for water repairs may have been re-tarmacked a couple of times since, so there's not even evidence to show for it - and being digital there isn't a chit or receipt that the work was done stored in some archive. Being magnetic, one can't even claim everything comes from dust and returns to dust - this never had a corporeal manifestation!

One might see this as the start of a midlife crisis, and "what's it all for?", but I've been comfortable with this since I started mucking about with computers and being a musician/tech 30+ years ago..

Hey ho.

Thursday 20 June 2019

Annoying People Don't Exist

"Guh, you're such an annoying person!" He didn't slam the book down, but might as well have done. She levelled her eyes at him, but held her peace.
"Oh right, what now?"

She felt like such a cliche, "Nothing." She let it hang in the air.

"It is never 'nothing'." He was careful to enunciate each syllable.
"It's just that.. well.. Annoying people don't exist."
"What?"
"They don't - annoyingly.. It's a projection on the part of the person who's annoyed. They project on to another person their own failure to deal with the situation in hand."

He stared at her. It was bad enough when she was straight with him, but these moments were always almost impossible. Sensing the need for explanation, she thought for a moment.

"There's a la.." She stopped herself. "Let's keep this gender neutral to stop any unhelpful ideas - a person is travelling on a train."

Calmly and gently the scene was set.

"They're sitting at a table, on the seat next to the window, normal carriage, you know the set up. No one else is at the table. They're reading a book."
"Where are they going?"
"Unneeded detail. But let's say it's the Transpennine express, towards Manchester - just so there's some lovely countryside. They look out of the window as they come to turn the page of their book. Unconsciously, they lick their finger (index, right hand, if you must know) before sliding the paper over. It was something they picked up from their Grandmother. When they were little, Grandma would sometimes read them bedtime stories, and she would lick her finger before turning the page. It was just something that was noticed, and consciously assimilated at a young age; but now in their mid-thirties, they had no idea they did it."

She paused, letting the peaceful picture settle in his mind.

"After a couple more pages, accompanied by the requisite finger licks, the train pulls in to a station. Let's say it was Hathersage. Several people get on, two of them join our bookreader. They look up at the new arrivals. Hmmm.. This gender neutral thing is going to be a pain."

She sipped from the cup in her hand, mentally assessing the new characters.

"One sat next to our friend, the other directly opposite. The one opposite seemed tense. From their bag placed on the otherwise empty seat they get out a laptop and some papers. Maybe they have a meeting, or it could be some deadline; but there are clearly things on their mind. The other new person watches them for a moment, smiles to themselves, and gets out a notebook and pen. They are going to meet their friend's new baby, but also going to take the opportunity for a little shopping, and a list is in order.
"Our book reader reaches the end of another spread, licks their finger, and turns the page. A few minutes pass, may be as many as ten. Everyone is settled into their thoughts. Another page is turned. Our listwriter notices the finger licking, and gently smiles. Their father would do the same, in a rather absent-minded fashion. They thought about their father, and wrote another entry on their list.
"The person opposite had noticed the digit-moistening as well."

She turned her gaze from the middle distance back to his face. Meeting his eyes, it was clear that he was listening and appreciated the new description.

"A few minutes later they notice it again. Then again.
'Why are they doing that?' questions our stressed person. Err.. Stressee? It was behaviour that, now they'd seen it, they couldn't ignore it. But they have work to do - that deadline isn't going away. Papers flutter, keys are clacked. Then the index finger is licked again.
"Now it's starting to get unbearable. The thoughts mount up. 'Don't they know the hygiene issues with doing that? What a ridiculous thing to do. Don't they realise how stupid they look licking their finger? Why don't they just lick the page and cut out the unnecessary movement?'

She took another sip.

"The stressee (nah, that doesn't work, does it?).. worker tries to concentrate on the job before them. As our reader reaches the end of another page, the right hand makes its journey upward. The movement is caught in the peripheral vision of our worker. They can barely contain themselves, but know they must. 'That person is so annoying!' reverberates around their mind."

She measured her words as they came out.
He could see it was coming, but let it pass without comment.
She left the scenario in stasis.

"Was our worker right? Is the reader an annoying person?"

The clock in the hall chimed the hour.

"On their own, the reader was unaware of their age-old habit. They were content in themselves.
"Our list-writer saw the habit, was at peace with themselves and the situation, and got on with their own life without any further fuss.
"However, the worker was stressed. Whether it was a meeting or deadline at the end of the journey, they were in no mood for the foibles of others.
"I'm sure I don't need to labour this any further, do I?"

He was looking down at the table. There was nuance to be argued, he felt. Some people set out to annoy others, their success would surely make them annoying - doubtless she had an answer for that. But the central thrust of her narrative did demonstrate her point.

"No. No, it's fine."

She finished the remnants in her cup.

"Are you getting the kettle on, then?"
"Yes, ok. And - sorry."
"Not a problem."
"But.."
She didn't quite purse her lips. "What?"

"Next time, couldn't you just hold the fart?"